Search for and download any torrent from the pirate bay using search query dvdrip. Direct download via magnet link. I think Ciro Guerra is one of the best directors from this new millennium. Shot in over 80 locations, The Wind Journeys (or Los viajes del viento) follows the travel of vallenato musician Ignacio Carrillo to see his old mentor. It’s surprising that I’m surprised this is the same guy who did Embrace of the Serpent, due to the quality of both pieces of work, but they just feel so damn. Search Torrents Browse Torrents. A Bad Moms Christmas 2017 Movies HD TS x264 Clean Audio New +Sam. Los Viajes Del Viento.(DVDRip.Audio Latino). America american animation annette funicello apocalypse asifa atlanta Atlanta Jewish Film Festival automobiles beach blog british film institute burt lancaster busby berkeley carmen miranda cars colette comedy coney island cult favorite curator deborah kerr disney documentary doomsday drama dysfunctional family elvis esther williams film films. Colombian film-maker Ciro Guerra’s protagonist in his second feature-film “The Wind Journeys” (“Los viajes del viento”, 2009) is an aging troubadour/accordion player, who is literally and metaphorically at cross-roads in his life. /free-download-lucisart-photoshop-plug-in.html.

By Julie Chautin

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The Wind Journeys begins in a field where workers are digging a hole. A procession brings a coffin. Ignacio Carillo’s wife, the light of his life, has died. Ignacio used to travel from village to village playing his accordion and singing. Then he married and settled down. He is well known for his songs, however legends say his accordion came from the devil. The horns on the instrument make you wonder. And now his wife has been taken from him. Who else but the devil would do such a terrible deed? The depth of his mourning leaves him no choice. He will give up singing and return the accordion to its rightful owner, the man who taught him to play, far off on a mountaintop.

The day he leaves for the north a boy appears in the dusty desert. His name is Fermin and he wants to learn the music of the road. The last thing Ignacio wants is a boy tagging along. Fermin, however, has his mind made up.

Director Ciro Guerra’s The Wind Journeys looks and feels like poetry as it tells of Ignacio’s and Fermin’s journey. The dialogue is minimal, music abounds and the beauty of northern Columbia fills every scene. The dusty red deserts, green crested mountains, and crystal lakes will blow you away just like the gusts of wind push the man and boy along.

Director Guerra had not yet turned thirty when he made this film, so the dreams of youth are not strangers to him. But he also has the wisdom of an ancient storyteller and that is a winning combination.

Film Review: The Wind Journeys (Los Viajes del Viento)

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Los Viajes del Viento (The Wind Journeys) (2009)

Rather than get your fix of Colombian culture from Hollywood spectacles like Colombiana, look no further than The Wind Journeys for an authentic and contemporary cinematic depiction of a nation. No, it doesn’t show the increasingly modernized cityscapes of Bogotá or Medellin, but it does reach back to the diverse heritage and tradition of the developing country. The film hosts a great static cinematography of the pantheon of panoramic Colombian vistas – mountains, plains, rivers, desert – all accompanied by a furious wind that blows through the country, carrying tradition with it.

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The Wind Journeys takes the viewer on a sonic journey of traditional Colombian music – from the country-folk stylings of Merengue and Vallenato to more indigenous wind and percussion-based sounds of the Wayuú and other Highland peoples. The lonesome journey of a once-famed travelling accordionist begins with a death, that of elderly protagonist’s wife, and also climaxed with the loss of another, his Master Guerra. However, the ways of his cursed accordion refused to die. A playboy in his prime, the elderly protagonist, Ignacio, has countless bastard children throughout the land, posing the question whether his young companion, Fermin, is one of them. Yes or no, Ignacio refuses to teach Fermin how to play any instruments, refuses to pass on his way of life that has left him to endure pain and strife. He blames this strife on the cursed accordion he wields, but his struggles are that of all mankind, his ‘Devil’s Accordian’ merely a scapegoat.

The boy’s rite of passage and the man’s rite of death evoke Homer’s Odyssey and Achebe’s Things Fall Apart – parallel epics unfold across primordial lands, the dual wayfarers encountering mythic trials for their feats to overcome. Of all the legendary feats, though, I didn’t care for the accordion-off. I know that ‘realistic’ isn’t what director, Guerra, was aiming for in this mythic tale, but this drawn out scene came off as juvenile. Perhaps in the mother tongue it was more appropriate, but I feel subtlety and sophistication were lost in translation.

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After Fermin’s baptism, Ignacio’s fears were substantiated. Even without trying to teach the younger generation, some things are still imparted, as if by way of the very breeze we share. By the end, he decides that since sheltering the past to protect the present is futile, you might as well impart the things that you know and love to neutralize the inescapable woes of the world. The final scene leaves us with a Lost in Translation moment, with a message being transmitted, the content of which remaining unbeknownst to the audience forever. I will not bother to guess here. It seems to me, though, that the words have no weight, the very act itself is enough to be of consequence.

Do yourself a favor and put it on your queue instead of Colombiana.