Zoom G7 1ut Patches
I've just purchased a new Zoom G7.1ut console, and would like to connect it to my computer via MIDI in order to use the software to setup and store patches. My computer sports a normal MIDI/joystick port provided by the sound card, is it good for my purposes? What kind of cable do I need to purchase? G7.1ut Editor Librarian. Mac OS X 10.2 10.8. Zoom Corporation 4-4-3 Kanda-surugadai Chiyoda-ku, Tokyo 101-0062, Japan T (81) 3.5297.1040 F (81) 3. Compartilhar e Reunir Patches Zoom G9 2.tt e Zoom G7 Pedaleiras Zoom G9 2.tt e G7. John.petruccilead01g7ibanezzz7.txt Visualizar Download credits:ibanezzz7 Here's a patch I use for John Petrucci's songs (use neck pickup for lead, it sounds good for some rythm parts, too). Zoom multi-effects / multi-stomp pedal. Patch backup / sharing software. For: MS-70CDR MS-50G MS-60B. G1on G1Xon B1on B1Xon G5 G3 G3X B3. If you have any of these Zoom guitar effects pedals, then you should have this software. Using your pedal's USB interface, you can: back up your patches. The G7.1ut offers 80 preset patches that are ready to use right out of the box, plus 80 user patches which can be freely rewritten, giving you a total of 160 choices. The muting interval when switching patches has been. The G7.1ut comes preprogrammed with a total of 80 preset patches.
Patches - Menu > John Petrucci
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| ● | DSP sound modeling plus tube circuitry create the ultimate in distortion | |
| 96 kHz sampling and 24-bit A/D/A conversion assure super high resolution sound. An abundance of signal processing power allows accurate recreation of the complex upper-range harmonics that are the hallmark of tube amplifiers. Analog circuitry using a 12AX7 tube then adds that classic warmth and sonic impact to the DSP sound. The result combines the best of the digital and analog worlds: distortion so advanced and sophisticated it elevates your guitar playing to the next level. | ||
| ● | Preamp section with two channels |
| The preamp section, comprised of the amp/drive-modeling, and EQ modules offers two channels per patch. You can easily select a channel by simple foot switch operation. Toggle between a Fender clean sound for rhythm and a Marshall drive sound for lead, while keeping modulation and spatial effect settings the same. The user interface with analog knobs lets you shape the sound with the same facility as on a guitar amp. |
| ● | Great for stage work or direct recording |
| The amp/drive-modeling blocks have two dedicated algorithms for each amp/drive type, designed for live playing and direct recording. The CABINET effect simulates amp and mic recording characteristics as well, and the algorithm is automatically switched according to the CABINET on/off setting.This lets you bring the same guitar sound that you used during practice or recording right on to the stage. Alternatively, sound settings that were determined during a session with the band can be used seamlessly in the studio as well. |
| ● | Amp select feature |
| This function optimizes frequency response to match the amp that you are using. Settings are available to get the best out of popular models such as Roland JC-120, a Fender combo, and a Marshall stack. The -10 dBm/+4 dBm output level switch allows the G7.1ut to be used as a preamp, directly connected to the power amp input of a guitar amplifier. |
| ● | 6-band graphic equalizer | |
| The built-in EQ module has six frequency bands optimized for electric guitar. Peaking type filters in the crucial middle range (400 Hz, 800 Hz, 3. 2 kHz, 6.4 kHz) are augmented by shelving type filters at the low and high end (160 Hz and 12 kHz). This ensures the shortest possible route from inspiration to actual sound. | ||
| ● | Guitar amplifier/stomp box modeling |
| Analog devices such as tubes and diodes have unique clipping characteristics. Sophisticated digital simulation finally makes it possible to recreate the sound of vintage tube amps and effect devices with astonishing realism. From popular names such as Fender, Marshall, and VOX to modern amps including MESA BOOGIE, Hughes & Kettner, and Diezel - the list of choices is extensive. The cabinet simulator even has settings for mic position, to achieve totally natural sounding performance. |
| ● | 32-bit processing for a wide choice of high-quality guitar sound effects |
| Ranging from trusty old standards to advanced choices for specialized needs, the effect collection of the G7.1ut comprises 92 effects in 9 modules. Pick an MXR Dynacomp, famous for its unusual compression action, or select wah pedal simulations such as VOX and CRYBABY. Choose from three types of chorus for creating a solid, wide sound stage. Access seven types of reverb with transparent, unblurred sound. And the list goes on: tremolo with selectable modulation waveform, bend chorus with individual pitch bending, harmonized pitch shifter, multi-tap delay even reverse delay. These professional quality effects will fuel the creativity of every guitarist. The preamp section and wah/filter effects allow changing the module insert position for even more advanced tonal control. |
| ● | Preset patches ready to use for recording or live performance |
| Whether you are after a true-blue vintage tone or fat high-gain sound, you will find a choice here. There are settings that accurately simulate well-known amps and stomp boxes, settings that are modeled on the signature sound of famous guitarists, as well as totally original ZOOM effect sounds. The past and the future of guitar sound is right there at your fingertips. The G7.1ut comes preprogrammed with a total of 80 preset patches. For creative leeway, a user area capable of storing the same number of patches is also provided. |
| ● | Intuitive interface great for stage use |
| Each of the four analog style rotary knobs let you directly edit parameters on-the-fly, a total of four simultaneously. The LCD panel clearly shows patch and parameter names. Direct access keys are provided for each module. The advanced user interface is designed to ensure hassle-free operation, while not getting in the way of your creativity. On stage, the foot switches allows easy effect bank selection, module and hold delay on/off switching or tap tempo input. The self-lit switches show module status at a glance. |
| ● | Real-time modulation for 4 simultaneous parameters fosters lively playing |
| The built-in expression pedal allows control over effect parameters in realtime. Common pedal effects such as wah, pitch, and volume control are ofcourse supported, but you can also opt to adjust drive gain, modulationrate, delay/reverb mix level, and other parameters. Up to four parameterscan be assigned to a single pedal, allowing dramatic techniques such asraising the chorus, delay, and reverb at the same time. Create a rotary speaker style sound by varying tremolo, chorus, and auto-panning rate. Also,the ARRM (Auto Repeat Real-time Modulation) function is capable of producingrhythmical tone changes, opening up a wealth of possibilities. |
| ● | World's fastest patch change speed: 7 ms |
| Switching patches has never been smoother or less noticeable. With its record-setting speed of 0.007 seconds (7ms), the G series never miss a beat.When changing to a lead preset in the middle a song, you no longer need to press the switch in advance, simply push the foot switch and start playing your solo. |
| ● | Built-in tuner supports special tuning requirements |
| The guitar tuner can be called up instantly by pushing a dedicated footswitch. In addition to the standard auto-chromatic tuner, various othertuning methods for guitar and bass are possible, and open tunings are alsosupported. High-brightness LED indicators make the note readout easy to seeon a dark stage. The calibration range is A 435 to 445 Hz, and muted tuning(without sound output) is also possible. Tuning your guitar has never been easier or more convenient |
| ● | ZNR keeps playing pauses really quiet |
| The built-in ZOOM Noise Reduction (ZNR) provides optimized signal performance for guitar. While minimizing any alteration of the original sound, ZNR cuts unwanted noise during pauses. Tails of sustained notes remain unaffected, with a long natural release. |
| ● | Ultra low noise design with 120 dB S/N ratio and -100 dB noise floor |
| With an amazing rated signal-to-noise ratio of 120 dB and a -100 dB noise floor, background noise ceases to be a problem, leaving only superbly clean, transparent sound. |
| ● | Sturdy metal chassis and rubber damping for superior toughness and durability |
| The combination of a solid metal chassis with shock-absorbant rubber damping ensures that the unit can stand up to the rigors of on stage use. Take it on the road or bring it into the studio, the G7.1ut will not let you down. And it looks great, too, the stylish two-tone coloring using silver and black, rounded shape, and chrome-plated parts give the unit a high-class, futuristic appearance. |
| ● | USB based audio interface functions | |||
| The USB port allows the unit to function as an audio interface for a computer. Simply plug the unit in to your computer with a USB cable to use the high-quality sound of the G7.1ut in a computer-based recording system. The high-performance DAW application 'Cubase LE 4' comes bundled with the unit, so you can start creating sophisticated music straight away. Because playback from the DAW application can be monitored at the unit itself, there are no latency problems during recording. | ||||
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| ● | MIDI IN/OUT jacks allow linking to other equipment | |
| The ability to exchange MIDI data with other devices opens up a wealth of possibilities. You can switch patches in conjunction with a MIDI enabled preamp, or use the unit as a real-time controller for other MIDI equipment. By connecting the MIDI interface to a computer, you may use a dedicated editor/librarian application to edit and store patch data. | ||
| ● | AUX IN jacks accommodate external sources |
| The playback signal from external sources can be plugged-into the AUX input. Jam along with a rhythm machine, external CD or mp3 player. You may also utilize the connectors as a stereo line input to record audio into your computer via the USB interface. |
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| Auto Wah Tremolo Slow Attack Pedal Resonance | Auto Resonance Phaser Vox Wah Octave | Booster Ring Modulator Crybaby Wah | ||||||
HW Clean
Tweed Bass
Z Combo
Rect Vintage
PV Drive
TS808
RAT
Hot Box
Metal Zone
FZ + M Stack
Digi Fuzz
UK Blues
BG Crunch
MS Crunch
HK Drive
Z Stack
Centaur
DS-1
Fuzz Face
TS + F Combo
Z OD
Z Clean
US Blues
VX Crunch
MS Drive
DZ Drive
Over Drive
Guv'nor
dist +
Big Muff
SD + M Stack
Extreme DS
Acoustic Sim.
Flanger
Vibrato
Tape Echo
Mono Pitch
Cry
Comb Filter
Pitch Shifter
Step
Dynamic Delay
Harmonized Pitch
Reverse Delay
Air
Pedal Pitch
Delay
Dynamic Flanger
Pedal Mono Pitch
Bend Chorus
Analog Delay
Reverse Delay
Air
Arena
Early Reflection
Ping Pong Delay
Tiled Room
Multi Tap Delay
Auto Pan
Modern Spring
Pan Delay
| REAR PANEL |
| G7.1ut SPECIFICATIONS | |
●Effect Types: 92 ●Effect Modules: 9 ●Maximum Simultaneous Effects: 9 ●Patch Memory: User 80+Preset 80, Total 160 ●Sampling Frequency: 96kHz ●A/D Conversion: 24bit, 64times over-sampling ●D/A Conversion: 24bit, 128times over-sampling ●Signal Processing: 32bit ●Frequency Response: 20Hz-40kHz +1.0dB、-3.0dB (10kΩload) ●Guitar Input: 1/4' phone jack (Rated input level: -10dBm, Input impedance:1MΩ) ●AUX Input: 1/8' stereo phone jack (Rated input level: -10dBm, Inputimpedance: 10ｋΩ) ●Line Output (L/MONO, R): 2 x 1/4' phone jack (Rated output level:-10dBm/+4dBm, Maximum output level: +19dBm, Output load impedance: 10kΩ or more, Output Impedance: 1kΩ) ●Headphone Output: 1/8' stereo phone jack (Rated output: 60mW /32Ω load,20mW /300Ω, Output impedance: 47kΩ) ●Tube Circuitry: 12AX7 ●Control Input: FP02 ●MIDI: IN / OUT ●USB Interface: 16bit, 32kHz/44.1kHz/48kHz ●Display: 2digit 7segment LED display, backlit LCD ●Power Requirements: 15V AC, 1.5A ●Dimensions: 460(W) x 235(D) x 81(H)mm ●Weight: 4.0kg ●Supplied Accessory: AC adaptor (AD-0012) ●Optional Accessories: Expression pedal (FP02) | |
* 0dBm=0.775Vrms | |
| *Steinberg and Cubase are registered trademarks of Steinberg Media Technologies GmbH. | |
Patches Para Zoom G7 1ut
The G7.1ut comes preprogrammed with a total of 80 preset patches. For creative leeway, a user area capable of storing the same number of patches is also provided. Zoom g7.1ut 2015 patch Guitar: Fender Telecaster Amp: Peavey Bandit 112. 100w PATCH CMP: compressor sense: 5 Attack: fast Tone: 0 WAH: Octave OctLevel: 50 DryLevel:100 Tone: 8 ZNR. The Zoom G7 is setup like a 2 channel amp. Need Windows XP to run their editor software via 2 MIDI cables (boo & boo) If I didn't have the G5, I would 100% be using the G7.1ut.